Tampilkan postingan dengan label George Zimmerman. Tampilkan semua postingan
Tampilkan postingan dengan label George Zimmerman. Tampilkan semua postingan

Rabu, 02 Mei 2012

After Trayvon: Black Boys Speak




Bucktown USA Films:

An inspiring and emotionally gripping public conversation amongst nine Black and Latino boys ages 10-17. It was shot in Brooklyn, New York in early April 2012 at the famous House of the Lord Church just days before George Zimmerman was arrested for the fatal shooting. "After Trayvon" brings together these young boys to discuss Trayvon Martin, their own feelings of vulnerability and fear, education, leadership, violence in all forms, history as they understand it, and how they view America, their America. Kevin Powell serves as moderator for the conversation.George

Kamis, 12 April 2012

Bun's Beat: Bun B on the Trayvon Martin Case



Bun B: The Trayvon Martin case isn’t just about race or culture, it’s about bullying.

Selasa, 20 Maret 2012

Black Manhood and the Racist Imagination


Black Manhood and the Racist Imagination:
On Trayvon Martin and the two Un-named Black Men Attacked in Texas
by Darnell Moore | special to NewBlackMan

Trayvon Martin has suffered multiple murders. His character was annihilated by the racialized mistrust of George Zimmerman, a 28-year old White gunman. His life was, subsequently, terminated by a bullet from Zimmerman’s 9mm handgun shortly after. In fact, the continued references to his suspension from school and suspicion surrounding his character, as scholar David J. Leonard has rightly pointed out, are but another type of assassination.

Trayvon’s tragic death has set afire a portion of the translucent veil that has only partially protected us from truly “seeing” others and ourselves in racialized America. And with his taking, we are being summoned, yet again, to deeply examine our conscience and the ways that racialization shapes our thinking and behavior.


Robert Zimmerman, the 64-year old father of the gunman, has identified his son as “Hispanic,” as someone who grew up in a “multiracial family.” In his mind, Zimmerman’s racial and ethnic identities are significant points of consideration because it authenticates his father’s argument that the murder has nothing to do with race.

According to Zimmerman’s father, "[George] would be the last to discriminate for any reason whatsoever.” He went on to say that "[t]he media portrayal of George as a racist could not be further from the truth."

His father seems to be arguing that the brutal murder of a blameless young Black male by another “multiracial” (read, non-white) body disallows even the remotest possibility of racist motivation. But let’s consider some other possibilities.

The multiracial perpetrator (though, it should be noted here that the term “Hispanic” is not a racial signifier but an ethnic category) stared upon the 17–year old black male victim and perceived him to be “suspicious,” which is another way of reading the victim as a potential threat.

“This guy looks like he’s up to no good or he’s on drugs or something,” Zimmerman can be heard voicing on a recorded conversation with police during a 911-call.

It could be argued that Zimmerman interpreted Trayvon’s comportment, affect, body frame, clothes, style, skin color, and gender presentation (i.e. the extent to which he acted out senses of masculinity or femininity) as signs that conspired to produce an image of distrust and terror in his mind. Trayvon’s black male body became the object of Zimmerman’s “multiracial” gaze.

Zimmerman imaged a “suspicious” guy and not a “typical kid who loved sports and music.” Zimmerman interpreted Trayvon to be someone who “looks like he’s up to no good” and not the adoring son who saved his father from a fire. According to Zimmerman, Trayvon had to be “on drugs or something” and not someone’s teenage son who has been described by a teacher “as an A and B student who majored in cheerfulness,” who just happened to be armed with skittles and a can of iced tea as opposed to heroin or crack, when he was slain.

What prevented Zimmerman from seeing Trayvon as anything other than treacherous? What forces impact our seeing so that our images of others are distorted?

A turn to another recent, under-reported incident that occurred in Texas might provide another way to assess the problematics of White racism and the ways that it shapes our understandings of Black manhood. The Texas incident is grounded in a different set of circumstances than Trayvon’s murder. In fact, the Texas case does not involve differently raced perpetrators and victims and is not centered on a murder; yet, there are some similarities that should be seriously considered.

Two unnamed Black men, 20 and 27, were brutally beaten, left unconscious in the northeast section of Dallas on March 13th. According to police reports, a group of five or so Black men yelled the dehumanizing epithets “fag and sissy” from their vehicle, exited with two baseball bats, and began to beat the victims. The incident has since been identified by police as a hate crime though the sexual orientations of the victims have not been identified out of respect for the victims’ privacy.

In the Dallas case, the victims were also the objects of the perpetrators’ gaze. Might they have similarly interpreted the victims’ comportments, affect, body frames, clothes, style, skin color, and gender presentations as signs? Is it possible that the group read the two victims as the antithesis (i.e. fag and sissy) of a certain construct of Black manhood?

Like Trayvon, the two Dallas victims are also cast in the imagination of the perpetrators as “suspicious” bodies. In both cases, the bodies of the victims (Trayvon and the two unnamed men) are read as “suspicious” bodies because they are Black men. In both cases, the perpetrators’ perceptions precede the actual materializing of the Black males that they subsequently victimize. In other words, the perpetrators’ set of beliefs about Black boys and men, which shaped their seeing of the victims, also influenced their acts of violence. Trayvon was shot, first, by Zimmerman’s skewed perception of a “suspicious” Black teen male. The bullet followed. The two men in Dallas were beat, first, by the perpetrator’s skewed perceptions of the two suspiciously imagined Black men. The bats followed.

In both tragic cases, the perpetrators read Black male bodies through a particular racialized gendered lens. In the case of Trayvon, he was interpreted by a “multiracial” perpetrator as a hyper-masculinized Black male subject and, therefore, a site of terror, (sexual?) power, criminality, heterosexuality, of suspicion. In the case of the two Black men in Texas, they were interpreted as having failed to achieve this archetypal (racist) construction of Black manhood (in other words, they may have been read as non-masculine,, perceived as weak, non-heterosexual, and helpless) and were surveilled, policed, and beaten because of their suspicious gendered, and, therefore, racialized, appearance. In both instances, the representations imagined are re-configurations of White racist cultural tropes like the “Big Black Buck.” The internalization of the ideas associated with these tropes is a phenomenon that affects even those who are cast as the objectified other in the White racist imaginary.

We (Black men) are at once the object of others’ myopic gazes and the ones who might very well objectify other Black men by freezing them in constructions of Black manhood that were never meant to heal us, free us. Our reliance and internalizing of White racist prescriptions of Black manhood and masculinity will further the brutalization of Black boys and men like Trayvon and the two hate crime victims. In this regard, Cleo Manago, the founder of The Black Men’s Xchange and the AmASSI National Health & Cultural Centers, offers the following considerations in an opinion piece in the LA Sentinel:

A very doable remedy to this American cultural and institutional phenomenon would require explicit and active resistance to conditioning to be in denial about the problem of Black internalized [White] racism. Blacks have to actively commit to unlearning and acknowledging their high likelihood of having "White biases" themselves. These are essential to breaking out of this often unconscious, anti-Black trance.

The unconscious buying into of a project that seeks our demise allows racist ideas to be insinuated in the minds of folk like Zimmerman, the group of men in Dallas, and in all of our minds. Such internalizations result in the type of violations that kill spirits and bodies like Trayvon and the two unnamed Black men in Dallas. But how can we reverse this trend and bring about justice?

Many of us want justice now. We want Zimmerman jailed. And Zimmerman will be jailed, we hope. And justice will seem to have been served. His gun will, alas, be stripped from his person. Yet, it is very possible that his perceptions of Black men will remain. We want the group of men who beat the two Dallas victims into unconsciousness imprisoned. And the group of men will be jailed, most likely. The prison cell will hold their bodies, but it may not transform their minds or those of society at large.

But many of us also desire other ends like transformation of the mind. We desire violences of all types, especially those forged in the belly of racism, to never be imagined or enacted. We desire an end to the premature deaths of black men by others’ hands and our own. This is not the time—and it never is—for untimely deaths.

In these times—and all times—daily living is a radical act of resistance if you happen to exist in the world as a suspicious boy, fag and sissy, threat, as a Black man. The only demise that we should now desire is that of the racist imaginary that has and continues to construct and constrict us.

***

Darnell L. Moore is a writer and activist who lives in Brooklyn, N.Y. Currently, he is a Visiting Scholar at the Center for the Study of Gender and Sexuality at New York University.

Senin, 19 Maret 2012

"Trayvon" by Jasiri X



from Jasiri X:

Demand Justice for Trayvon Martin http://colorofchange.org/campaign/trayvon/

Free Audio Download http://jasirix.bandcamp.com/track/trayvon

Jasiri X tells the heartbreaking story of Trayvon Martin, a unarmed 17 yr old boy, who was shot and killed by Neighborhood Block Captain George Zimmerman on February 26, 2012. George Zimmerman has to this date never been arrested or charged for the Murder of Trayvon.

"Trayvon" was directed by Paradise Gray and co directed and engineered by Mirage

LYRICS
It's Sunday the God's day a day of rest
The Nba all stars are playing next
But right outside that same city
The celebratory atmosphere would change quickly
Who watching the game with me you know lil Trayvon
Was reppin his home town D Wade and LeBron
He had just came up from Miami to see his daddy
Who knew such a great weekend would end so badly
In a place where you move because it's safe for your family
But some people got a ingrown hate for your family
Halftime just a short brake from the slammin
Bout to go to the store lil cuz you want some candy?
Bet I grab you some skittles kid
I'll be right back in a little bit

Paid for lil cuz's skittles and a ice t
walked out the store and felt the chill of the night breeze
it seemed a little colder than before
he didn't know it was a boy like a soldier in a war
that was watching him clocking him thinking about stopping him
nine milly cocking them who's this nigga walking in my neighborhood
he fits all the specifics of criminal statistics he looks suspicious
911, what's your emergency
A black man's walking through my hood purposely
stay clam, it's just little Trayvon but he wanna be the hero so he put's his cape on
George Zimmerman neighborhood block captain
loaded glock strapped in fake cop has been
got out the car ignoring what the cops asked him
They always get away this time that will not happin

George Zimmerman didn't take his Ritalin
drunk off adrenaline says he making a citizens arrest
Trayvon looks at him vexxed
I just walked to the store nothing more nothing less
Just steps from his home he ignored his request
George grabs him, Trayvon swings and connects
Starts screaming out for help but Zimmerman see a threat
so he pulls out his gun and he points it at his chest
He fires but he misses Trayvon pleads for forgiveness
I didn't do nothing this is senseless
but George Zimmerman was so vicious
he made sure the second shot hit em no survivor no witness
Trayvon never gave his cousin his skittles
missed the all star game didn't see another dribble
And George Zimmerman wasn't even arrested
the message is only white lives are protected
In America


Hearing Trayvon Die


Hearing Trayvon Die
by Mark Anthony Neal | NewBlackMan

There is dramatic moment in the film Cadillac Records, when musician Muddy Waters, portrayed by Jeffrey Wright, has just watched the body of fellow musician Little Walter (Columbus Short) taken away to the morgue.  Little Walter was more than Waters’ wingman—he was critical to how Waters literally heard himself in the world.  Trying to come to terms with Little Walter’s death, Waters walks upstairs into a bathroom, off-screen, and utters a series of bone-chilling howls that sound like death itself.  It is simply the most arresting moment in the film, and tellingly a moment in which the sounds of death are disembodied from the Black man who is so tortured by the loss of a brother.

I immediately thought about that scene in the film, hearing the 911-tapes that capture—unquestionably in my mind—the death of 17-year-old Trayvon Martin, at the hands of George Zimmerman.  In a world in which Blackness is visually over-determined—both as hyper-visible and invisible—there is no ocular meme more pervasive in American society than that of the so-called violent and dangerous Black male, who is always already in need of pursuit, capture, incarceration and inevitably extermination. 

So powerful is this script, that the fact that such levels of surveillance—from the classroom to the interstate—is un-American, is rarely disturbed in the minds of most Americans, including far too many Blacks.  That more than a few corporations, often with direct input from Black men themselves,  have turned the image of the menacing Black male into a cottage industry (dating back Birth of a Nation’s “Gus”) only speaks to how normative such an image has become.

This is the a point made recently by The Opportunity Agenda in their report “Media Representations and the Impact on the Lives of Black Men and Boys,” which suggest correlations between media depictions of Black males and lowered life chances.  Specifically the reports suggest casual links between media portrays of Black males and public attitudes directed towards them including  “general antagonisms,” “exaggerated  views related to criminality and violence,” “lack of identification with or sympathy for black males,” and “public support for punitive approaches to problems” related to Black males—all dynamics that have played out in the corporate media coverage of Trayvon Martin’s murder.

None of these observations are surprising to anyone who lives in the body of a Black male, but the report’s highlighting of the casualness of these links suggests that most Americans have no other way to view Black men.  In their most benign forms, such views find older White women clutching their bags in elevators; in its everyday forms Black males are harassed by law enforcement and denied access to equal opportunity; in its most tragic forms, a 17-year-old boy is shot dead by a neighborhood watch captain—and his death is reduced to, if we are to believe Today Show host Matt Lauer, a dispute between two men, as opposed to an adult male pursuing and killing a child because he “looked” dangerous.

As the images of Black males have literally filled the whole frame—in our imaginations and on our iPad screens—their humanity is exponentially squeezed out.  Part of the reason that Jeffrey Wright’s howling had to be experienced off-screen is that we have so little understanding of Black males, as vulnerable, in pain, under duress, in terror and confronting death.  As social scientist Richard Majors acknowledged twenty years ago in his book Cool Pose : The Dilemmas of Black Manhood in America, so many of the visual and physical cues performed by Black males are simply masking their vulnerabilities.

The pursuit of justice aside, in his dying moments, Trayvon Martin gave voice to all of the Black men,  women and children whose humanity continues to be denied in a society that has long chosen to not listen to us.

***

Mark Anthony Neal is the author of five books including the forthcoming Looking For Leroy: (Il)Legible Black Masculinities (New York University Press). He is professor of Black Popular Culture in the Department of African & African-American Studies at Duke University and the host of the Weekly Webcast Left of Black. Follow him on Twitter @NewBlackMan.

Rabu, 14 Maret 2012

The “Reasonable Fear” of a Black Male: The Trayvon Martin Tragedy


The “Reasonable Fear” of a Black Male: 
The Trayvon Martin Tragedy
by David J. Leonard | NewBlackMan

In 2008, 20/20 conducted an experiment to examine how people would respond to criminal activity.  Inside a New Jersey park, three white youths gleefully vandalized a car. Without concern for the people walking throughout the park, they destroy the car with a bat and spray paint.  In the course of the experiment, only a few individuals call the police or even challenge the kids, with some even joking around with them.  When 20/20 swapped out the three white youth for three black youth, the public response was drastically changed, with many more calls to the police.  Highlighting the ways race and criminality interact through stereotypes and daily behavior, the most telling aspect of the experiment resulted from an unplanned development.  As the white youths wreaked havoc on the car, three black youth waited in another car.  These boys, relatives of one of the black actors who were taking part in the experiment, were asleep.  In the first instance, the caller suggests that the boys looked like they were going to rob someone.  In a case of ‘sleeping while black’ there were two 911 calls (compared to one 911 call about the white youth).   

Given persistent stereotypes, news media and popular culture, and a culture of dehumanization, it is no wonder that the 20/20 experiment found that irrespective of behavior black youth convey fear and animosity driven by their presumed criminality, an experience dramatically different from that of white youth.  Writing about research on imagery and criminalization, Joe Feagin, in The White Racial Frame, highlights the profound issues at work here.  “These researchers conclude that the visual and verbal dehumanization of black Americans as apelike assist in the process by which some groups become targets of societal ‘cruelty, social degradation, and state-sanctioned violence” (p. 105).  From a history of slavery and lynching, up through the persistent realities of racial profiling, mass incarceration, and daily instances of violence, the connection between dehumanization and criminalization has been central to white supremacy. 

I thought about this experiment when I first heard about the murder of Trayvon Martin.  The connection became especially powerful after continually hearing references to “reasonable fear,” the fact that George Zimmerman called 911 because he saw a suspicious person in his gated community, and the purported “perceived threat”; all of this led me back to this study and the countless amount of research that illustrates the power and saturation of the “criminalblackman.”  As evident here, it is hard, if not disingenuous, not connect this case and the ideas of fear, suspicion, and threat (and whiteness as innocence), to dominant ideologies of race.

On March 12, 2012, Stanford Police Chief, Bill Lee announced that Zimmerman’s claim of self-defense fit with the evidence of their investigation.  During a press conference, he made this clear over and over again: “We don't have anything to dispute his claim of self defense at this point with the evidence.” He additionally defended the decision not to issue an arrest warrant because of a lack of probable cause: “Until we can establish probable cause to dispute that, we don't have the grounds to arrest him.”   Given recent reports about the investigation, one has to wonder if this even possible.

Similarly, the news media has emphasized that Zimmerman had a bloody nose, that the back of his t-shirt was wet, and that reports indicate an argument all as potential explanation for what happen.  We can see an emerging narrative that explains (rationalizes/justifies) the situation as if an argument or even a “fight” justifies the use of a gun on an unarmed teenager.   

At the same time, likely responding to this growing anger about this injustice, the media coverage has increasingly emphasized the legal context.  In Florida, because of the “stand your ground law,” which Jeb Bush signed into law in 2005, individuals who believe they are under attack can use deadly force.  If a person feels in danger and if a person has “reasonable fear” they are legally allowed to use deadly force.  According JoĆ«lle Anne Moreno, “under the new law, if you are not engaged in an illegal activity, you can stand your ground by ‘meeting force with force, including deadly force’ if you ‘reasonably believe it is necessary’ to prevent death, great bodily harm, or the commission of a forcible felony.”  In other words, if you reasonably believe you or others are in danger you are entitled and empowered to use force irrespective of the actual threat.  It is about belief and perception.

Yet, this same media that cites this law, that uses terms like “reasonable fear,” “danger” and “suspicion” has found limited space to talk about how race, stereotypes, and racism impact perceptions of fear, danger, and suspicion.   Natalie Jackson, the family’s attorney, makes this clear when she notes, “I don't know if the whole thing was a racial issue, it may have been a 'Zimmerman wants to be a hero' issue. It becomes racial because Zimmerman thought that black males with hoodies are criminals.”  In other words, how does, given ample research about the criminalization of black bodies, race impact what constitutes fear and suspicion?  Within the white supremacist imagination isn’t any fear of blackness reasonable given the sedimentation of criminalization and dehumanization?  

Michelle Alexander, in New Jim Crow, argues that the institutionalization and saturation of mass incarceration has created a society where the “prison label” and the stigma of criminality “exists whether or not one has been formally branded a criminal: “In this way, the stigma of race has become the stigma of criminality.  Throughout the criminal justice system, as well as in our schools and public spaces, young + black + male is equated with reasonable suspicion, justifying arrest, interrogation, search and detention of thousands of African Americans every year” (p. 194).  Trayvon Martin is clearly evidence of this reality not only in his murder but also in the handling of the struggle for justice in his name.  From Sean Bell to Oscar Grant, from Emmett Till to Robbie Tolan, it is all too familiar story, one that hopefully offers a different ending: JUSTICE.

***

David J. Leonard is Associate Professor in the Department of Critical Culture, Gender and Race Studies at Washington State University, Pullman. He has written on sport, video games, film, and social movements, appearing in both popular and academic mediums. His work explores the political economy of popular culture, examining the interplay between racism, state violence, and popular representations through contextual, textual, and subtextual analysis.  Leonard’s latest book After Artest: Race and the Assault on Blackness will be published by SUNY Press in May of 2012.