Tampilkan postingan dengan label Post-race. Tampilkan semua postingan
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Kamis, 24 Mei 2012

Post-Whiteness























Post-Whiteness
by Darnell L. Moore | Huffpost BlackVoices

Many Americans are invested in the idea of a "post-racial" moment -- a moment marked by our purported movement beyond a historical chapter colored by race-based discrimination, intolerance, inequity, and violence. Such a turn signals America's fascination with the notion of a transracial future and a utopian vision of an America, where bodies will be free from racialization. But, we must ask: whose bodies and lives will this grand social vision benefit especially when considering the counter-investment in notions of "blackness" that post-racial propagandists seem to maintain?

It is argued that multiple gains have been made in the area of racial relations since the culmination of the Civil Rights Movement. Many of us witnessed the appointment of our country's 65th and 66th Secretaries of State, General Colin Powell and Condoleeza Rice, the former was the first African-American and the latter was the first African-American female, both were Republican. An African-American man and woman, Bob Johnson and Oprah Winfrey, both notable African-American entrepreneurs, have appeared on the Forbes Billionaire List. To the astonishment of the international community, America was brave enough to elect a bi-racial or Black (or, non-White) man, Barack Hussein Obama, as the 44th President of these United States. And, now our nation's capital is home to the Martin Luther King Jr. Memorial and will soon be the home of the National Museum of African American History and Culture, which is scheduled to open officially in 2015. For some, these few moments evidence racial progress, particularly those of African Americans in the twentieth century.

To be sure, Daniel Schorr, NPR Senior News Analyst, noted in 2008 that America was moving into a "post-racial era" that was defined and "embodied" by Barack Obama. He went on to argue that we are in an "era where civil rights veterans of the past century are consigned to history and Americans begin to make race-free judgments on who should lead them." Schorr connects post-racialism to the ascendancy of Obama, a multi-ethnic brown African-descended man, and not, say, his then opponent, John McCain. The fact that Obama is cast as the catalyst of this post-racial era illuminates what post-racialists understand as that which is in need of e(race)sure, namely, blackness. It is unsurprising, then, why post-racialism is a concept that has been taken up to talk about one's transcendence from blackness into a state of being where his/her blackness is "blurred" or ceases to be altogether.

But imagine, if you will, a societal advancement of the notion of "post-white." If you tried, to no avail, to imagine -- like I did -- an America that sought to intentionally and aggressively move beyond whiteness, don't be alarmed because it is a feat that is nearly impossible.


"Whiteness" is an enduring social force that produces a racialized system of access/excess. Those with access have phenotype, structure advantages, and racial legacies to thank. But it is also, as Judy Helfand suggests, that which "is shaped and maintained by the full array of social institutions -- legal, economic, political, educational, religious, and cultural." In other words, whiteness is methodically sustained through ideology and praxis. It is not easy to disappear and, I am pretty certain, that there are many White post-racialists who would rather not live in a post-white moment because the legal, economic, political, educational, religious, and cultural benefits assigned to their whiteness would be no more.

The notion of post-whiteness, or the leaving behind of whiteness as we've come to know it, might very well provoke fear and anxiety among some. For example, the Eagle Forum, which is an interest group started by the conservative anti-feminist Phyllis Shafley, released a legislative alert in response to the New York Timesstory, "Whites Account for Under Half of Births in U.S." The "alert" cautioned, "NY Times liberals seek to destroy the American family of the 1950s, as symbolized by Ozzie and Harriet. The TV characters were happy, self-sufficient, autonomous, law-abiding, honorable, patriotic, hard-working, and otherwise embodied qualities that made America great." The only descriptor that remains loudly unpronounced on the Eagle Forum's list of positive characteristics is the racial identity of both Ozzie and Harriet.

Despite the racial anxieties of our present moment, it is time for Americans to investigate what it might mean for us to consider post-whiteness as an idea and material possibility during this so-called post-racial era. I would sign on as a proponent. We could even ask Tim Wise to lead the way as we begin interrogating the ideas (and advantages) of whiteness as they manifest in these United States and around the world. I long for the day when the Mitt Romneys of the world will argue for a move in the direction of a post-racial, or, rather, a post-white moment: a moment when White racism is really called out and destabilized; a moment when the vestiges of skin privilege are diminished; when real-time material conditions like wealth accumulation, criminalization, and poverty aren't disproportionately shaded by race. Oh, what a day that would be.

Colorblindness, as Schorr intimated, is not the issue. Indeed, the only "color" that seems to move undiscerningly among post-racialists is whiteness. And it's not White people alone who have made such a turn, see, for example Touré's Who's Afraid of Post-Blackness? or Ytasha L. Womack's Post Black: How a New Generation Is Redefining African American Identity. In most cases, blackness is the"color" that we are beckoned to transcend in this post-racial era which is why it is a fallacy to name it such. We are more embedded in the socially constructed categories of race than ever before. Don't believe me? Ask the Tea Party or check the US Census Bureau's statistics on the median incomes of whites in comparison to black and brown folk in our country. Take a look at the number of non-whites who make up our prison and death row populations. Ask the livid "Hunger Game" fans who vented on Twitter because the film's director cast a young African-American actress, Amandla Sternberg, rather than a White actress to play the role of Rue. Or consider the psychic traces of race/racism, the ways in which racism shaped our settler-colonial state and its laws, and the ways we embody and live out race-thought every day.

The point is: America's troubled past and complicated present is wedded to the social reality of race. American history serves as a reminder of our country's troubled race relations and even the moments when difference was celebrated. Americans also know, all too well, that whiteness functions as a non-race that does not require bodily and cognitive transcendence. Similarly, White racism and White privilege show up as non-issues that are eagerly critiqued, yet, rarely undone. Therein lies the problem.

Whiteness travels in stealth; it is supplemented by what anti-racist feminist Peggy McIntosh, writing on White privilege, unforgettably names the "invisible knapsack." The fact is: that "knapsack" has been quite visible in the lives of native and non-white Americans. It has only been invisible to those who carry the weightless knapsack on their backs. Indeed, the burden of the sack is felt by everyone but the bearer. It seems, then, that there is a need for new interrogations of our present racial moment. This may very well be the perfect moment for us to enter, as opposed to transcend, America's racial imagination.

How's that for a postulation?

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Darnell L. Moore is Visiting Scholar, Center for the Study of Gender and Sexuality, New York University.


Jumat, 10 Juni 2011

LeBron James and the Redemptive Path to Nowhere


LeBron James and the Redemptive Path to Nowhere
by David Leonard and Bruce Lee Hazelwood | special to NewBlackMan

As Game 4 of the 2011 NBA Finals came to a close on another last second shot, Dwyane Wade and Dirk Nowitzki were praised for carrying their respective teams. The celebration of Nowitzki has been especially robust given his reported illness, a fact that has been used to celebrate his performance as heroic, as a sign of his toughness, and as evidence of his talents as a leader.

LeBron James, on the other hand, endured another bout of criticism from fans, media, and players alike. After Game 3, where LeBron had a stat line that included 17 points, 9 assists and 3 rebounds, Greg Doyle asked LeBron about his “shrinking” in the 4th quarter. Notwithstanding LeBron’s dismissal of the question,  Doyel maintained this line of criticism in his column the following day, writing:

When someone makes a movie of the fourth quarter, they can cast Rick Moranis as LeBron James and call it Honey, I Shrunk the Superstar.

That's what I'll remember about James from Game 3. His shrinkage, and how it continued a series of shrinkages. I asked him about that after Game 3. I asked him, pretty much word-for-word, how come he hasn't been playing like a superstar in the fourth quarter? What's going on with that? James played the defensive-stopper card. That's why he's out there, you know. For his defense. He's not a latter-day Michael Jordan. He's a latter-day Dudley Bradley.

Doyel proceeds to criticize James for “complaining” to referees, whining, and otherwise having a “bitter-beer face” when he doesn’t get his way on the court, only to conclude his article by highlighting an instance where James didn’t get a foul call not because there was a foul but because he isn’t a superstar: “Maybe the officials are onto something. Maybe LeBron James isn't a superstar. If the 2011 NBA Finals were the only games I had seen him play, that would be my conclusion. Doyel, especially after Game 4, is not alone in his criticism. Jordan Shultz, in “ LeBron James Shows True Colors In Game 4 Disappearance ” identifies his Game 4 struggles are not an aberration but evidence of his ineptitude and shortcomings as a player: “Wade is in essence, everything James is not. He has the will, the fire and the assassin's nature that LeBron lacks.”

This criticism is nothing new and demonstrates how LeBron James cannot win. In wins (Game 3) and losses (Game 4), he has been reduced to a failure, a punching bag for America’s sports punditry. Ever since the ill-fated “Decision,” praise for James seems to shrink every day while criticism of his game continues to overshadow his contributions to his team. In a season where perception is James is “on the road to redemption,” questions need to be asked. How can redemption be gained if he can do no right? Who is LeBron James really redeeming? And in the end, is LeBron James really trying for redemption?

Since joining the Heat, James has faced criticism at both ends of the spectrum: go for 35-12-10 and he’s hogging the ball, but go 15-9-8 and he isn’t doing enough. With Wade and Chris Bosh on the team, he either doesn’t involve the other two superstars enough or defers to them too much. He is the walking embodiment of the longstanding criticism that has always plagued black athletes living amid American racism: too selfish or unable to lead. This highlights the power of the white racial frame, one that renders black bodies as undesirable and suspect, with the impossibility of redemption. In that James will face criticism irrespective of his on-the-court performance – if he shoots the last shot and misses, he lacks the “killer instinct”/ he is selfish and should have passed the ball to Wade (this was a criticism after Game 2 where James was questioned for not deferring to Wade who had it going); if he passes the ball, he is depicted as mentally weak, scared, and otherwise unable to lead.

What is underlying much of this criticism is a false comparison to a reimagined Jordan. The nostalgia for Jordan as post-racial, as team player, as unselfish, and as God-like illustrate the impossibility of James meeting these expectations. Whereas Jordan in retirement has been reconstituted as a leader, as a fundamentally perfect player who was driven by team success and not individual accomplishment, James, as an embodiment of  Thabiti Lewis’ “baller of new school,” has no possibility of becoming the next Michael Jordan. Given the ways in which black players are scolded and demonized for ego, James, despite his unselfishness, despite his willingness to defer to Wade, pass to Chris Bosh, and set-up Mario Chalmers is unable to transcend the confined meaning of blackness. In actuality, in 2011, Michael Jordan likely couldn’t be the next Michael Jordan.

More than his “struggles” on the court, James cannot win because he cannot be Michael Jordan. And he cannot be Michael Jordan because LeBron does not fulfill a post-racial fantasy. LeBron does not embody what David Falk celebrated in Michael Jordan: “When players of color become stars they are no longer perceived as being of color. The color sort of vanishes. I don’t think people look at Michael Jordan anymore and say he’s a black superstar. They say he’s a superstar. They totally accepted him into the mainstream. Before he got there he might have been African American, but once he arrived, he had such a high level of acceptance that I think that description goes away.”

His tattoos, his decision to hire his longstanding friends to guide his career, “The Decision,”  his insertion of race into the post-Cavs discourse, his acceptance of the anti-hero role, his “What should I do?” Commercial for Nike, and even his response to Greg Doyel where he told him to “watch the film again” so he could “ask me a better question tomorrow” all contribute to a path not paved by Jordan toward racial redemption but one more travelled by many black athletes: one of derision, contempt, criticism, and scrutiny. “The irony of the connection between Willie Horton, O.J. Simpson, and Tookie Williams, and Michael Jordan, LeBron James, Allen Iverson, and Latrell Sprewell, along with most of the black NBA superstars of today is that, as easily as the first three, like so many countless criminalized black male bodies in the United States are denied social and moral redemption because of their race, their presumed inherent transgression, and the need of the American public to reify much of its racist (il)logic,” writes Lisa Guerrero from Leonard and King’s  Criminalized and Commodified. While LeBron as member of the Cavs, as a potential savior (of the NBA; of the Jordan legacy; of Cleveland) had the potential to “redeem us, to maintain our sense of ourselves as a nation that is righteous, equal, and free, and to allow us to continue dreaming the American Dream,” that potential is gone. The narrative of his “failure” redeems us; the hegemonic claims about the righteousness of others and the steps LeBron must take to be saved is a celebration of the system not him.

In terms of the second question – is this his “road to redemption”—we must be clear. LeBron James appears to be disinterested in redeeming himself – a central perquisite in the history of race in America. The parameters of his redemption have been set not by James but by the media and fans. With this in mind, it then becomes impossible for James to gain redemption in the public eye because he will never buy into the parameters set before him. LeBron James is in the continuous struggle of playing by his rules on a court/in a society where everyone but him is setting the rules of the game. Worse, yet, the rules change with each game. “If, as today’s writers lament, LeBron doesn’t want to take over the game, that should be praised, not derided,” writes  Dave Zirin . “Basketball at its best is a beautiful game: a team game. As long as LeBron keeps playing the game as it comes, he will be a champion. He doesn’t have to settle for being the next Jordan.” Irrespective of whether he takes over a game or not, James will be criticized because he can’t be “like Mike” – on the court, maybe, but in the national imagination, never!

For LeBron James, there is no need for redemption. In his eyes, he did what he wanted to do and there is no regret. He wanted to play with his friends and he ended up signing with a team allowing him to do this. While many black athletes strive to reach the summit of Jordan-like acceptance, they fail to see even what Jordan failed to see: no matter what they do or how much money or how many endorsement deals they sign or how they make their respective leagues profitable with immense cultural capital, they are still black bodies in America. James made clear last year that there is little he can do to redeem himself as Michael Jordan. In his “Rise” Nike Commercial, he asks,

What should I do?
Should I tell you I’m a championship chaser?
I did it for the money, rings?
Maybe I should just disappear

As evident in LeBron’s inability to outrun the leadership and selfish trope that defines America’s sports racial history and thus his inability to find solace on a path to redemption, there is nothing LeBron can do. His experiences demonstrate that so long as (white) fans and (white) commentators resent his talent, his choices, his attitude, his swagger, his motivations, his blackness, he is dammed. Not only cannot he not be Michael Jordan or as good as Michael Jordan (sorry Scottie Pippen) in the national imagination but he will continue to face a barrage of criticism for his every move. The black body is continuously subjected to mainstream notions of what it means to be black in a white society all while managing how and working to control those same bodies. Championships or not; 45 points or 8; 25 assists or 2, LeBron James will forever be remembered with the sentence, “Yeah, LeBron could ball, but…”

Post-script 

Despite securing a triple double in game 5, the criticisms directed at LeBron continue to mount. Described as hallow, disinterested, quiet, and otherwise ineffective, securing the 29th triple double in NBA final history did little to silence those critics who continued to focus on his leadership and play in “clutch minutes.” Treating the 4th quarter like a game of “Hot Shot,” where the points are worth double, these critics ignores LeBron’s success throughout the game in an effort to undercut his contributions all while advancing a narrative about his lack of leadership, mental toughness, and “the clutch gene.” Makes one wonder what the critics would say if he did not score, rebound or get his teammates for the first 42 minutes of the game only to amass 17-10-10 in the final 6 minutes. 

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David J. Leonard is Associate Professor of Comparative Ethnic Studies at Washington State University, Pullman. He has written on sport, video games, film, and social movements, appearing in both popular and academic mediums. His work explores the political economy of popular culture, examining the interplay between racism, state violence, and popular representations through contextual, textual, and subtextual analysis. He is the author of Screens Fade to Black: Contemporary African American Cinema and the forthcoming After Artest: Race and the War on Hoop (SUNY Press).

Senin, 14 Maret 2011

New Book! More Beautiful and More Terrible The Embrace and Transcendence of Racial Inequality in the United States



More Beautiful and More Terrible
The Embrace and Transcendence of Racial Inequality in the United States
by Imani Perry

272 pages
February, 2011
ISBN: 9780814767375

For a nation that often optimistically claims to be post-racial, we are still mired in the practices of racial inequality that plays out in law, policy, and in our local communities. One of two explanations is often given for this persistent phenomenon: On the one hand, we might be hypocritical—saying one thing, and doing or believing another; on the other, it might have little to do with us individually but rather be inherent to the structure of American society.

More Beautiful and More Terrible compels us to think beyond this insufficient dichotomy in order to see how racial inequality is perpetuated. Imani Perry asserts that the U.S. is in a new and distinct phase of racism that is “post-intentional”: neither based on the intentional discrimination of the past, nor drawing upon biological concepts of race. Drawing upon the insights and tools of critical race theory, social policy, law, sociology and cultural studies, she demonstrates how post-intentional racism works and maintains that it cannot be addressed solely through the kinds of structural solutions of the Left or the values arguments of the Right. Rather, the author identifies a place in the middle—a space of “righteous hope”—and articulates a notion of ethics and human agency that will allow us to expand and amplify that hope.

To paraphrase James Baldwin, when talking about race, it is both more terrible than most think, but also more beautiful than most can imagine, with limitless and open-ended possibility. Perry leads readers down the path of imagining the possible and points to the way forward.

Reviews

“Imani Perry has done it again. With an uncanny ability to merge art, law, social science, and cultural studies, she weaves a powerful analysis of race in contemporary America.” -- Patricia Hill Collins, author Another Kind of Public Education

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Imani Perry is a professor at the Center for African American Studies at Princeton University. She holds a Ph.D. in American Civilization and a J.D. both from Harvard and is the author of Prophets of the Hood: Politics and Poetics in Hip Hop.