The Corporate King Memorial and The Burial of a Movement
by Jared Ball | Black Agenda Report
Dr. King and the liberation movement he represents will again suffer a brutal blow this week when all are permanently entombed under the violent euphemism of “memorial.” The dedication of this $120 million stone sculpture is to be a national tribute to a man whose entire body of work was designed to destroy the very structure that now claims to honor him. It is no honor. It is a burial. The very entities against which the movement that produced King have struggled for centuries have now attached themselves to him as if to claim victory over, rather than along with, that man and that movement. This memorial should be seen as the hostile, disingenuous aggression against Dr. King that it is and should continue to be a reminder of the absolute absence of sincere change in this society.
Deborah Atwater and Sandra Herndon have written about the meaning of memorials and museums saying, in part, that they serve the “nation-state” by communicating an “official culture” whose job, “through sponsorship,” is to “retain loyalty” and the “virtue of unity.” Atwater and Herndon describe memorials as helping the state develop a “ collective American public memory” and a “shared sense of the past.” Museums and memorials become “the spaces in which that [public] memory is interpreted.” Perhaps most importantly is that memorials are said to also “give meaning to the present.” But given the vicious re-imaging King suffered before his assassination, the vitriol he withstood from a nation determined to resist the change he represented, and given the post-assassination routine destruction of his advancing radical politics, it is simply not hard to determine just what this memorial intends to convey or the present meaning it intends to define.
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