It's Politics Time Again
Hip Hop Occupies
For Heavy D, 1967-2011.
I. We the 99.
“Nobody got more welfare than Wall Street /Hundreds of billions after operating falsely/And nobody went to prison that’s where you lost me /But my home, my job, and my life is what it cost me.”– Jasiri X, Occupy (We the 99).
The students at UCONN invited Jasiri X to headline their “Political Awareness Rally” on November 4. Jasiri is a rapper from Pittsburg, PA., who burst on the scene with his powerful, political music, such as Free the Jena 6, What if the Tea Party Was Black, I Am Troy Davis and most recently Occupy (We the 99). Shortly before he was to come to the event, Jasiri received an email from the Chief Financial Officer of the Undergraduate Student Government at UCONN. The student wrote that Jasiri could perform most of his songs (“they all promote social justice and ending racism”), but the Student Government could not allow him to perform songs “that contain obvious political statements (such as Occupy – We the 99) – as referring to the Occupy movement.”
I asked Jasiri what he made of this curious distinction between his other work and the Occupy song. “I do political songs,” he said. “How can they say Occupy is a political song and not I Am Troy Davis?” At the event, Jasiri followed Ken Krayeske, who is running for U. S. Congress on the Green Party Ticket. Krayeske made his name through an interview with UCONN’s star basketball coach (he asked Jim Calhoun if he’d give back some of his millions as austerity struck the campus, and Calhoun barked, “Not a dime back”). At the Rally, Krayeske invoked Occupy. Jasiri recalls looking out at the students and thinking, “they have got to hear the song.” He went for it despite being warned that if he did the song he might not get paid.
Later Jasiri wrote, “At some point in this movement all of us are going to have to make sacrifices, if we truly want to see real change. The 1% control the 99% with promises of money, access, and comfort; we have to put our own souls above all three.”
II. Contagious Struggles.
When I asked Toni Blackman, a rapper with the Freestyle Union, what she thought of the Occupy dynamic, she said that it brought her “a sense of relief. I exhaled and thought ‘finally.’ I believe the energy will be contagious.” “Hip Hop is inching closer and closer to the Occupy movement. Soon singing about your riches and your bitches will be less and less acceptable. The Occupy movement has agitated the stagnant air just enough for artists who felt powerless to begin acknowledging their power again.”
It is not just the artists. Nor is the contagion going in one direction.
Read the Full Essay @ CounterPunch
I asked Jasiri what he made of this curious distinction between his other work and the Occupy song. “I do political songs,” he said. “How can they say Occupy is a political song and not I Am Troy Davis?” At the event, Jasiri followed Ken Krayeske, who is running for U. S. Congress on the Green Party Ticket. Krayeske made his name through an interview with UCONN’s star basketball coach (he asked Jim Calhoun if he’d give back some of his millions as austerity struck the campus, and Calhoun barked, “Not a dime back”). At the Rally, Krayeske invoked Occupy. Jasiri recalls looking out at the students and thinking, “they have got to hear the song.” He went for it despite being warned that if he did the song he might not get paid.
Later Jasiri wrote, “At some point in this movement all of us are going to have to make sacrifices, if we truly want to see real change. The 1% control the 99% with promises of money, access, and comfort; we have to put our own souls above all three.”
II. Contagious Struggles.
When I asked Toni Blackman, a rapper with the Freestyle Union, what she thought of the Occupy dynamic, she said that it brought her “a sense of relief. I exhaled and thought ‘finally.’ I believe the energy will be contagious.” “Hip Hop is inching closer and closer to the Occupy movement. Soon singing about your riches and your bitches will be less and less acceptable. The Occupy movement has agitated the stagnant air just enough for artists who felt powerless to begin acknowledging their power again.”
It is not just the artists. Nor is the contagion going in one direction.
Read the Full Essay @ CounterPunch
