Criticism 52: 3 & 4 | 'The Wire' Issue

Preface

Robert LeVertis Bell
Paul M. Farber

pp. 355-357

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Realism and Utopia in The Wire

Fredric Jameson

pp. 359-372

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"The Game Is the Game": Tautology and Allegory in The Wire

Paul Allen Anderson

pp. 373-398

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"A Man without a Country": The Boundaries of Legibility, Social Capital, and Cosmopolitan Masculinity

Mark Anthony Neal

pp. 399-411

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The Last Rites of D'Angelo Barksdale: The Life and Afterlife of Photography in The Wire

Paul M. Farber

pp. 413-439

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Constrained Frequencies: The Wire and the Limits of Listening

Adrienne Brown

pp. 441-459

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The Depth of the Hole: Intertextuality and Tom Waits's "Way Down in the Hole"

James Braxton Peterson

pp. 461-485

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Greek Gods in Baltimore: Greek Tragedy and The Wire

Chris Love

pp. 487-507

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Walking in Someone Else's City: The Wire and the Limits of Empathy

Hua Hsu

pp. 509-528

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"Precarious Lunch": Conviviality and Postlapsarian Nostalgia in The Wire's Fourth Season

Robert LeVertis Bell

pp. 529-546

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Capitalist Realism and Serial Form: The Fifth Season of The Wire

Leigh Claire La Berge

pp. 547-567

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Index to Volume 52 of Criticism(2010)

pp. 569-571

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